artists

The Books, ‘The Way Out’

Anyone who really knows me knows I really love The Books.  Their new album was released yesterday, after a 5 year on-the-edge-of-my-seat wait.  We pre-ordered the deluxe vinyl and it is impressive indeed.  Double vinyl, 36 stickers to decorate your own cover, and lots of really charming details.  I took some pictures of it this morning, have a little look-see:

Besides the masterpiece of album art, I’m in love with the album’s sounds.  Truly worth the five year wait.  I read a recent interview with Nick and Paul over at Art Info, and it talks a lot about their method of collecting found sound and how they collaborate at a distance.  Just to be thorough, the track-list is below.

The Books – The Way Out (2010)
01. Group Autogenics I
02. IDKT
03. I Didn’t Know That
04. A Cold Freezin’ Night
05. Beautiful People
06. I Am Who I Am
07. Chain of Missing Links
08. All You Need Is A Wall
09. Thirty Incoming
10. A Wonderful Phrase By Gandhi
11. We Bought The Flood
12. The Story of Hip Hop
13. Free Translator
14. Group Autogenics II

Das Racist is the new cool g rap

Das Racist – Rainbow in the Dark [OFFICIAL VIDEO]

Das Racist – Chicken and Meat

Das Racist – Club NME interview

Annie Larson

Annie Larson is a fashion designer and an all around inspiring lady– her work is stuck in my head.  I discovered her on flickr and promptly viewed her entire photo stream in one sitting.  I then moved on to her blog, SWNKDLLR, where I became hopelessly sucked in–learning about knitting techniques, the constraints of designing for mass production at Target corp, and her participation with the New Land of Milk and Honey.  Intensely curious, I decided to ask her a few questions.

modeled by aby wolf

Could you tell me about what drew you into fashion design, and specifically weaving?
Surprisingly, my interest in sweater design and knitting came from my design job at Target Corporation, where I worked for three years after college. In my final year at Target I was designing classic sweaters for men, and became really interested in yarns, sweater construction, and knitting technology. I suppose this interest piqued as a response to how boring my design job actually was, but the intrigue stuck around. My obsession with machine knitting began soon after, right around the time we were writing our first proposal for New Land of Milk and Honey. At first, I didn’t have any plans to knit for the NLMH collection since all of my work up to that point had been in flat pattern drafting and sewing. Up until three months ago, I was only planning to knit a few pieces. In the end, I ended up knitting over twenty full garments. I think I like it so much because I can control the outcome more. Nearly all of my work has involved a theme realized by careful selection of color and pattern, so the idea of creating my own textile in a new medium was overwhelmingly cool.

Clothing is a necessity, but it also serves myriad functions besides just keeping us warm and covering our bits.  Could you tell me about what clothing means to you, how it functions, why it’s important?
I use clothing for all sorts of things. It’s important for me to dress a certain way because I enjoy thinking up different ways to dress. I am a firm believer that there is a time and place for everything, and having a broad range of options is necessary to be able to change my mind frequently. Clothing articles are important to me in a physical sense because I like to study the construction and materials; I enjoy the way garments take shape on bodies. I could talk about clothes for days with anybody that will listen. Of course, these are my personal feelings. I would never dare to even touch on the subject of why clothing should matter to other people. It’s personal. From a designer point of view, I usually take an opposite stance and focus hard on a single theme that affects my work for a longer period of time. I think all of the energy funneling into one place results in something that often feels…overzealous, but worked through. For me, the physical act of producing clothing is the most important part of the process, I need to understand how everything fits together.

modeled by ann marie delathouder freeman

You’re currently working with The New Land of Milk and Honey.  As I understand it, NLMH is a commune in Wisconsin, consisting of creatives who believe in community and the practice/study of ‘alternative’ living.  Can you tell me more about NLMH and your role there?
1. The New Land of Milk and Honey is an embellished expression of a spiritual arts-based community, stemming from our own community here in Minneapolis.
2. The New Land of Milk and Honey is a collaborative art show featuring fashion design, video art, choreography, architecture, installation, word play, togetherness, music, and so on.
3. We all believe in the NLMH.

modeled by fletcher barnhill

Oh, so awesome!  Thanks Annie!  And, if you’re in the Minneapolis area stop by The Soap Factory to view Annie’s work and lots of other cool stuff in the NLMH Exhibition, it runs through April 4th.  Credits:  All photos taken by Sam Hoolihan and Ross Yates.  All the clothing is designed and created by Annie Larson as a part of the NLMH collection, made in 2009 and 2010.

modeled by lindsay noble

Ray Johnson Opening at BMCM

If you’re able to visit the Black Mountain College Museum sometime before June 12th, DO IT.  Seeing Ray Johnson’s work in person is a rare privilege!  See this post for all the details.  The opening was perfect and I took lots of pictures:

Ray Johnson at BMCM

Black Mountain College Museum (in nearby Asheville, NC) is hosting a show of Ray Johnson’s work.  Not only will we have a chance to view the show, but it’s legit–we’re going to the opening!!!  He’s my favorite artist.  I feel like the luckiest girl in the world.

Details:
From BMC to NYC: The Tutelary Years of Ray Johnson (1943-1967)
February 19 – June 12, 2010
Opening reception: Friday, February 19, 6:00 – 8:00 p.m.
56 Broadway, Asheville, NC 28801

More about the show, quoted from the BMCM Site:

Through a carefully selected group of paintings, collages and early correspondence, From BMC to NYC: The Tutelary Years of Ray Johnson will explore the early transitions in Johnson’s career—in particular his graduation from high school in Detroit to his three years of serious study at Black Mountain College to his immersion in the Manhattan art scene of the 1950s and 1960s. From BMC to NYC, curated by writer and collage artist Sebastian Matthews, will trace a circle around roughly two decades of Johnson’s early art, creating a spotlight on his explosion from talented painter and master collagist to, by the 1960s, Grand Dean of Dada & Postal Art. The exhibition will provide an interactive, playful presentation of Johnson’s “tutelary” work, highlighting the people and places that influenced Johnson’s creations in order to give the viewer a roadmap of Johnson’s creative process.

Ray Ray Ray Johnson

me with Ray's work @ the MOMA, 2008. i almost died of excitement.

For more on Ray visit his estate, read this interview, or watch his the movie How to Draw A Bunny.

from Ray's "Footings" series

Calm Center

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