From the Studio

New Pictures courtesy of Armando Bellmas

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FINALLY!  We’re debuting some of Armando Bellmas‘ photographs around the store this week.

Over the summer Armando and I teamed up for a little photo shoot, taking some original artwork to the streets.  We had a good time walking around Southend Charlotte, and he got some great shots.  My art babies never looked better…hip-hip-hooray for Armando’s photo skills.

All the images are linked to their corresponding shop listing.  Enjoy!

Special thanks to the kind folks of The Common Market Southend, who were gracious enough to let us take over their patio for the morning.

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Big Things Grand Opening Party

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Rebecca Goldschmidt is a truly inspiring woman.  She runs a blog + shop called Big Big Big Things, an exuberant corner of the internet that is sort-of hard to describe.  It’s full of inspiring interviews, historical bits, travel tips, and all kinds of other interesting things–you’ll just have to dive in.

I’m debuting three new original pieces and some prints at her Big Things Party @ Kitsch gallery in San Francisco.  Pictures of the installation are coming soon.  For now, more details:

Party specifics swiped from the Big Things Blog :)

we’d like to invite you all to the BIG THINGS BIG GRAND OPENING PARTY to celebrate the launch of the website + shop!!! the past few weeks have been crazy planning but we are so excited to be working with lots of talented folks and are definitely ready to celebrate!

join us on friday november 12th at kitsch gallery in san francisco (17th/capp) for….

awesome drawings, paintings, video, sculpture and installations by artists lev bogusiewicz, nico colon, nick demarco, caitlin ducey, parker ito, karn piana, courtney price, jake sollins, brandi strickland, and kelly tunstall!

the pre-teens of sf rock project shredding rock & roll classics!

djs april knows best from the teenage dance craze house band and ben bracken from the fantastic dance night, international freakout a-go-go, spinning rare records you can dance to!

+ the doors of the BIG THINGS SHOP will be wide open for business, with lots of fun, colorful objects to take home!

it’ll be an incredible night of friends, fun, and celebration and we would LOVE to see you all there!

Teaser of my brand new stuff that’ll be at the BIG THINGS PARTY:

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God Playing Dice & Rainbow Bridge Prints

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God Playing Dice and Rainbow Bridge are today’s prints, a little sneak peek of my newest work.  I’m using lots of tiny abstracted human figures in surreal, transitory environments, acting out rites of spiritual passage.  I’m pretty jazzed about it, hope you are too!

Both are available as prints in two sizes: 7×9″ limited edition of 30, and 11×14″ limited edition of 15.

PS:  The originals will be on display @ Kitsch Gallery in San Francisco for the upcoming Big Things Grand Opening Party.  I’ll have more details up this week.

God Playing Dice

Rainbow Bridge

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Hidden Hands & Helpers

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I made this pair of circle artworks for Dublab‘s Into Infinity project.  Now we’re making the images available as prints!  Paper Whistle’s first ever round prints!–YAY CIRCLES!

When I created these I was reading The Power of Myth by Joseph Campbell, and I borrowed the titles from him.

Moyers: Do you ever have the sense of… being helped by hidden hands?
Campbell: All the time. It is miraculous. I even have a superstition that has grown on me as a result of invisible hands coming all the time — namely, that if you do follow your bliss you put yourself on a kind of track that has been there all the while, waiting for you, and the life that you ought to be living is the one you are living. When you can see that, you begin to meet people who are in your field of bliss, and they open doors to you. I say, follow your bliss and don’t be afraid, and doors will open where you didn’t know they were going to be.

Hidden Hands

Helpers

12x12" circle print, limited edition of 15

7x7" circle print, limited edition of 30

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Magic

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Magic is the newest print in the Seed Stone series.

Sufficiently advanced technology is indistinguishable from magic.
Arthur C. Clarke

I do believe in magic. I was born and raised in a magic time, in a magic town, among magicians. When I was twelve, the words was my magic lantern, and by its green spirit glow I saw the past, the present, and into the future. We all start out knowing magic. We are born with whirlwinds, forest fires, and comets inside us. We are born able to sing to birds and read the clouds and see out destiny in grains of sand. But then we get the magic educated right out of our souls. We get it churched out, spanked out, washed out, and combed out. We get put in the straight and narrow and told to be responsible. Told to act our age. Told to grow up, for God’s sake. And you know why we’re told that? Because the people doing the telling were afraid of our wilderness and youth, and because the magic we knew made them ashamed and sad at what they allowed to whither in themselves.
Robert McCammon

The syntactical nature of reality, the real secret of magic, is that the world is made of words. And if you know the words that the world is made of, you can make of it whatever you wish.
Terence McKenna

In truth, the human experience of magic – our ancestral, animistic awareness of the world as alive and expressive – was never really lost. Our senses simply shifted their animistic participation from the depths of the surrounding landscape toward the letters written on pages and, today, on screens. Only thus could the letters begin to come alive and to speak. As a Zuni elder focuses her eyes upon a cactus and abruptly hears the cactus begin to speak, so we focus our eyes upon these printed marks and immediately hear voices. We hear spoken words, witness strange scenes or visions, even experience other lives. As nonhuman animals, plants, and even “inanimate” rivers once spoke to our oral ancestors, so the ostensibly “inert” letters on the page now speak to us! This is a form of animism that we take for granted, but it is animism nonetheless – as mysterious as a talking stone. And indeed, it is only when a culture shifts its participation to these printed letters that the stones fall silent. Only as our senses transfer their animating magic to the written word do the trees become mute, the other animals fall dumb.
David Abram


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